Thursday, 25 February 2016

Shahid Afridi

Shahid Afridi Biography

source link (google.com)

Pakistani Cricketer Boom Boom Shahid Afridi Biography  Sahibzada Mohammad Shahid Khan Afridi is  also known as Boom Boom Afridi. He born on 1,March  1980. He is a Pakistani cricketer.  Its Between 1996 and 2012, Afridi played 27 Tests, 350  One Day Internationals, and 59 Twenty20 Internationals (T20Is) for the Pakistani  national team. He made his ODI debut on 2 October 1996 against Kenya and his Test debut  on 22 October 1998 against Australia. Afridi has played more ODI matches than any other  Pakistani cricket player. Currently Afridi is third on the list of the leading wicket takers  in the Twenty 20 format, behind Saeed Ajmal and Umer Gul of  Pakistan, taking 73 wickets  from 70 matches. In June 2009, Afridi took over the Twenty 20 captaincy from Younis Khan,  and was later appointed ODI captain for the 2010 Asia Cup.  In his first match as ODI  captain against Sri Lanka he scored a century, however Pakistan still lost by 16 runs. In  May 2011, having led Pakistan in 34 ODIs, Afridi was replaced as captain. Later that  month he announced his conditional retirement from international cricket in protest against his treatment by the Pakistan Cricket Board (PCB). However, in October he  reversed his decision. In October 1996 at the age of sixteen Afridi was drafted into the  ODI team during the four-nation Sameer Cup 1996–97 as a leg spinner as a replacement  for the injured Mushtaq Ahmed. He made his debut on 2 October against Kenya, however,  he  didn't bat and went Wicketless. In the next match against Sri Lanka, Afridi batted at  number three in the role of a pinch-hitter. The record for the fastest century in ODI was  broken by New Zealand cricketer Corey Anderson on 1 January 2014 who hit 131* runs from  36 balls and is now hed by South-African cricketer AB  Villiers  made a century  from 31 balls on 18 January 2015 against West Indies. In 2001, Afridi signed a contract  to represent Leicestershire. In five first-class matches he scored 295 runs at an  average of 42.14, including a highest score of 164, and took 11 wickets at an average  of 46.45; Afridi also played 11 one day matches for the club, scoring 481 runs at an  average of 40.08 and taking 18 wickets at 24.04.  His highest score of 95 came from 58  balls in a semi-final of the C&G Trophy to help Leicestershire beat Lancashire by seven  wickets. The Pakistani coach Bob Woolmer helped Afridi to reach a fuller potential by  improving his shot selection and giving him free rein over his batting attitude. On 21  November 2005, Shahid Afridi was banned for a Test match and two ODIs for deliberately  damaging the pitch in the second match of the three-Test series against England. On 12  April 2006, Afridi announced a temporary retirement from Test cricket so that he could  concentrate on ODIs, with a particular focus on the 2007 World Cup, and to spend more  time with his family. He said he would consider reversing his decision after the World  Cup. Afridi was charged on 8 February 2007 of bringing the game into disrepute after he  was seen on camera thrusting his bat at a spectator who swore at him on his way up the  steps after being dismissed. Afridi was given a four-game ODI suspension, the minimum  possible ban for such an offense, meaning that he would miss Pakistan's first two 2007  World Cup matches. Shortly after Pakistan won the 2009 ICC World Twenty20 the captain  Younis Khan announced his retirement from Twenty20 cricket the Pakistan Cricket Board  (PCB) subsequently announced that Shahid Afridi had taken over as captain in T20Is; the  appointment was initially for one match, with a decision on the permanent replacement  to be made later. On 31 January 2010, Afridi was caught on camera biting into the ball  towards the end of the 5th Commonwealth Bank ODI series in Australia. Afridi was  officially removed from the Test squad on the England tour, but after the spot-fixing  scandal saw Mohammad Asif, Mohammad Amir and Test captain Salman Butt temporarily  suspended by the International Cricket Council, he stated that he might return to Test  cricket if "the team needs it". According a representative of Afridi, he had voiced his concerns about Mazhar Majeed – who had approached Pakistan's players – in June. The team  toured New Zealand between December 2010 and February 2011 for two Tests, six ODIs, and  three T20Is. Pakistan lost the first two T20Is but won the third; in the final match Afridi  became the first cricketer to reach 50 international wickets in the format. After  gaining victory as a captain against New Zealand, the PCB declared Shahid Afridi as  Pakistan's captain for the 2011 World Cup. In Pakistan's opening match of the  tournament, Afridi took 5 wickets for 16 runs against Kenya, giving him the best  bowling figures by a Pakistan bowler in a World Cup. 
Shahid Afridi


Shahid Afridi
Shahid Afridi

Shahid Afridi

Shahid Afridi

Shahid Afridi

Shahid Afridi

Shahid Afridi

Shahid Afridi

Shahid Afridi

 

Sunday, 7 September 2014

romantic love poems

Romantic Love Poems Biography

source:.google.cm.pk
Hasrat Jaipuri's real name was Iqbal Husain. Till 1939, he lived in hometown Jaipur where he studied English till 'medium level' and then acquired his 'taalim' in Urdu and Persian from his learned grandfather, Fida Husain. He began writing verse as late as the age of 20, and around that time, he fell in love with a neighborhood girl called Radha. “Love knows no mazhab or dharam,” he told me. “It is not at all necessary that a Muslim boy must fall in love only with a Muslim girl. My love was silent, but I wrote a poem for her, `Yeh mera prem patra padh kar, ke tum naaraaz na hona.’” And that 'letter' may never have been delivered to Radha, but Raj Kapoor was to later deliver it to the world as the perennial mantra for lovers of all generations in his Sangam (1964).
The eternal realist, Hasrat Jaipuri told me how lucky he was to have married a woman who advised him to invest his earnings in property. “Today, the rents that come in from my tenants keep me comfortable so that I am not forced to work for my rozi-roti and my family. I accept assignments that are offered and don't have to run after films, music directors and music companies for work. I am very proud of my children - two sons and a daughter - but the art of poetry is God-gifted and cannot be learnt, and they have not been gifted with it.”
He won innumerable awards, honours and mementos. Among them were two Filmfare trophies (for `Baharon phool barsao’ from Suraj and `Zindagi ek safar hai suhana’ from Andaz) and two awards - the Doctorate from the World University Round-Table and the Josh Mahilabadi award from the Urdu Conference for his literary work as a poet. Also the Dr Ambedkar award for a film song, `Jhanak jhanak tori baaje payaliya’ from Mere Huzoor, which was written with a blend of Hindi and Brij Bhasha. Apropos that, the poet once said, "Hindi and Urdu are like two great and inseparable sisters. Even my books on poetry are in Hindi as well as Urdu." His latest published compilation was "Abshaar-E-Ghazal."
About 350 films and 2000 recorded songs old, Hasrat Jaipuri's last releases were Saazish with Jatin-Lalit and Sher Khan (with Bappi Lahiri) last year, and at the time of his death he was working on a few small films and a book of shaayari. “I never discriminated between small and big films and composers. I have the biggest list of music directors among any lyricist - from SJ and Sajjad down to Anand-Milind, Nadeem-Shravan and Jatin-Lalit,” says the man who was master of romance even amidst his versatility. And without being arrogant about it, Hasrat Jaipuri did realize his own worth. 'Humne who naqsh chhod hai that mywork will always be remembered even after I have gone,”he told me once with the honest precision of a scientist stating a proven fact. And even if you consider only the crème-de-la-crème of his work, like "Zindagi ek safar hai suhana" (Andaz), "Teri pyari pyari soorat ko" (Sasural), "Pankh hote to ud aati re" (Sehra), "Tere khayalon meinhum" (Geet Gaya Pattharon Ne), " Tu kahan yeh bataa" (Tere Ghar KeSaamne), "Muhabbat aisi dhadkan hai" (Anarkali), "Tu mere saamne hai,teri zulfein hai khuli" (Suhagan), "Nain se nain" (Jhanak Jhanak Paayal Baaje), "Ehsan tera hoga mujh par" (Junglee), "Teri zulfon se" (Jab PyarKisise Hota Hai) and "Tum mujhe yoon bhula na paaoge" (Pagla Kahin Ka) and add a whole range of songs like "Sayonara sayonara" (Love In Tokyo)," Aao twist karen" (Bhoot Bungla)." Ajhoon na aaye baalma" (Sanjh AurSavera) and "Duniya bananewale" (from his friend and closest associate Shailendra's production Teesri Kasam), one cannot but accept that the maestro was right. As he wrote once, "Tum mujhe yoon bhula na paaoge/ Jab kabhi bhi sunogegeet mere/ Sang sang tum bhi gungunaaoge/ Haan, tum mujhe yoon bhula na paaoge.
ROMANTIC LOVE POEMS
ROMANTIC LOVE POEMS

ROMANTIC LOVE POEMS

ROMANTIC LOVE POEMS

ROMANTIC LOVE POEMS
ROMANTIC LOVE POEMS

ROMANTIC LOVE POEMS
ROMANTIC LOVE POEMS
ROMANTIC LOVE POEMS
ROMANTIC LOVE POEMS
ROMANTIC LOVE POEMS



love poems for him

Love Poems For Him Biography

source:.google.com.pk

Poetry, good poetry that is, bites and stings. It arouses the senses. It burns a hole in the brain. It stimulates the imagination. Jon’s style was well suited to his thoughts, which are never subsidized by nice disquisitions, decorated by sparkling conceits, elevated by ambitious sentences, or variegated by far-sought learning. He pays no court to the passions; he excites neither surprise nor admiration; he always understands himself, and his readers always understand him: the pursuer of Jon wants little previous knowledge; it will be sufficient that he is acquainted with common words and common things; he is neither required to mount elevations nor to explore profundities; his passage is always on a level, along solid ground, without asperities, without obstruction. 

Jon London's rigorous blend of instinct, insight and eloquence are the timeless quality of greatness. i have rightly described him as 'the kind of poet” most poets wait a lifetime for.' It moves like a light through the murk of human motivations, where the erotic and the lethal exist in such ambiguous interplay beyond imagination with a simple certainty of phrase: no high emotive words, no staged emotions. 
Like the threads of yarn in an argyle sock that crisscross, intersect and link forming a unique, colorful pattern, he has contributed a glimpse of his writing experiences to make this site worthy of those who are interested in writing and are novel. 

As a distinct loner living in a European circle, he produced an idiosyncratic style marked by epigram, dreamy landscapes, terse phrasing, and incisive images of all the things he want to present. 

His poem creates a world that somehow touches the reader. That world is built of images that come to the reader through vivid sense details and the music of vivacious language. 

Strong, accurate, interesting words, well-placed, make the reader feel the writer’s emotion and intentions. Choosing the right words for their meaning, their connotations, their sounds, even the look of them, makes a poem memorable. The words become guides to the feelings that lie between the lines. And he has got the ability to hit the right word at the right place. 

Simple is better. Clean words with clear meaning, Direct to the point. I especially like poems that set up the reader for an expected ending, and then deny him or her that ending. I like poems that give the reader a kick, or bite or scratch at the end. Life is like that. Things never turn out quite the way we expect them to. Life is always different than our expectations of it. That's what makes it so damn interesting. 

His Love Poems speak about the passion, desire and vulnerability of being in love. Poems about true love and saying I love you. When you can share your life with another, the whole world is completely different. 

The popular saying “Imitation is the sincerest form of flattery, ”, is the basis for the lesson, which asks me to analyze the features of a his work then create my own poems based on the original model. By exploring sample poems and their parodies, i focus on the language and style of the original poet, all in the process of playing with poetry. 


Effective writing in the workplace is an essential skill. I mean, every one knows Jon is a good poet, but this - this is great. You have just crafted the perfect analogy it’s punchy, it’s tongue-in-cheek, and most of all, it’s just so clever! . 
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM
LOVE POEM FOR HIM

LOVE POEM FOR HIM
LOVE POEM FOR HIM





SHORT LOVE POEMS

Short Loves Poems Biography

source:.google.com.pk
A love poem will not always be long and flowery. Sometimes what you need to say can be very short. In fact it may be the fact that the poem is short that makes it special. Its short length may show that you put the time and effort in to make every word count. You considered carefully every word choice. Every word choice has a reason behind it. A short poem can be the ultimate act of romance when it is given the time and effort that it deserves.Good love is all you have been giving,loving you make live worth living, I love the way you love me,and cherish the way you fulfil my every need, I am glad we have found one another,knowing that our love will last ever,it feel good knowing love is in my heart knowing our love will never part,i love the little thing you do for me,just to please and make me happy,here with each other is where we will lay, because in my dreams and heart you’ll always stay…..My wife is a winsome wee thing;she is a winsome wee thing,she is a handsome wee thing,she is a bonnie  wee thing,this sweet wee wife oh mine. I never saw a fairer, I never loved a dearer,an nest my heart I’ll wear her,for fear my jewel tine.she is a winsome wee thing,she is a handsome wee thing,she is a bonnie wee thing,this sweet wee thing oh mine. The world’s wrack we share ,the startle and the care , her I’ll Blythe bear it,and think my lot divine….I love you because you understand dear,every little thing I try to do,your always there to lend a helping hand dear,but most of all I love you cause you’re you.no matter what may be the style or season, I know your love will always see me through, I love you for a hundred-thousand reasons,but most of all i love you cause you’re you. I love you because my heart is lighter,every time I am walking by your side, I love you because the future is brighter,the glow to happiness you have opened wide.no matter what the world may say about me,i know your heart always be true, I love you for the way you never doubt me,but most of all I love you cause you’re you.When i saw you,it was like i saw an angel.when i got closer,my heart pounded more and more,and i knew that i  would be in love with you for the rest of my life.just a touch of your skin,and my whole world changed.now,all i want is to be your side.
she is worth for more then rubies,her husband has full confidence in her and lacks nothing of value,she bring him good not harm,all the days of her life.
My eyes are full of tears that they can no more see.i wish you were here,to chop these onions for me.
Distance between two hearts is not an obstical -rather a great reminder of just how strong true love can be.Love is absolute loyalty. People fade, looks fade, but loyalty never fades. 
You can depend so much on certain people, you can set your watch by them. And that’s love, even if it doesn’t seem very exciting.
Love is the irresistible desire to be irresistibly desiredSince love grows within you, so beauty grows. For love is the beauty of the soul.
love is composed of a single soul inhabiting two bodies
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS
SHORT LOVE POEMS



FREE LOVE POEMS

Free Love Poems Biography

sourcce:.google.com.pk

Much of the free-love tradition is an offshoot of anarchism, and reflects a libertarian philosophy that seeks freedom from state regulation and church interference in personal relationships. According to this concept, the free unions of adults are legitimate relations which should be respected by all third parties whether they are emotional or sexual relations. In addition, some free-love writing has argued that both men and women have the right to sexual pleasure without social or legal restraints. In the Victorian era, this was a radical notion. Later, a new theme developed, linking free love with radical social change, and depicting it as a harbinger of a new anti-authoritarian, anti-repressive sensibility.

Many people believe marriage is an important aspect of life to "fulfil earthly human happiness." According to today's stereotype, earlier middle-class Americans wanted the home to be a place of stability in an uncertain world. To this mentality are attributed strongly defined gender roles, which led to a minority reaction in the form of the free love movement.

While the phrase free love is often associated with promiscuity in the popular imagination, especially in reference to the counterculture of the 1960s and 1970s, historically the free-love movement has not advocated multiple sexual partners or short-term sexual relationships. Rather, it has argued that love relations that are freely entered into should not be regulated by law.

The term "sex radical" is also used interchangeably with the term "free lover", and was the preferred term by advocates because of the negative connotations of "free love".[citation needed] By whatever name, advocates had two strong beliefs: opposition to the idea of forceful sexual activity in a relationship and advocacy for a woman to use her body in any way that she pleases.

Laws of particular concern to free love movements have included those that prevent an unmarried couple from living together, and those that regulate adultery and divorce, as well as age of consent, birth control, homosexuality, abortion, and sometimes prostitution; although not all free love advocates agree on these issues. The abrogation of individual rights in marriage is also a concern—for example, some jurisdictions do not recognize spousal rape or treat it less seriously than non-spousal rape. Free-love movements since the 19th century have also defended the right to publicly discuss sexuality and have battled obscenity laws.
At the turn of the 20th century, some free-love proponents extended the critique of marriage to argue that marriage as a social institution encourages emotional possessiveness and psychological enslavement
In 1855, free love advocate Mary Gove Nichols (1810–1884) described marriage as the "annihilation of woman," explaining that women were considered to be men's property in law and public sentiment, making it possible for tyrannical men to deprive their wives of all freedomhe history of free love is entwined with the history of feminism. From the late 18th century, leading feminists, such as Mary Wollstonecraft, have challenged the institution of marriage, and many have advocated its abolition.This record has been a long time coming," says Keyes, "These songs have existed with me for so long. I'm excited to get them out there. And I hope people get excited by them: I feel like I'm just the instrument to give the songs to everyone
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS
FREE LOVE POEMS